A pyramid or a mountain?

As I have already mentioned in my previous post, all those temples were slowly beginning to bore us. I knew that later on I would be sorry for leaving out any one of them. It would be ideal if we could get to taste as much of genuine Egypt and at the same time see all the spectacular old buildings. In reality it is quite hard to squeeze all that into two weeks.

We started Day 8 with a tour of the Valley of the kings. It is situated under this pyramid-like hill. Historians suggest that when the old kingdoms didn't do all that well anymore, their pharaohs couldn't afford huge man made final resting places like the pyramids.

This place with a natural pyramid was obviously just a perfect substitution. Many pharaohs chose this valley as their final resting place.

We visited some of the more interesting underground burial chambers in the valley and moved on. We went to the Valley of the queens on foot. When we told Osama (our Egyptian guide) of our intentions, he was just shaking his head in disbelief and announced:

Nori Slovenci! Matjaz and his group of nori Slovenci!

That literally means "crazy Slovenians". In Slovene obviously.
Supposedly not many visitors choose to walk up that hill in midday heat. Strange isn't it?

We just had to laugh at his jokes - he knew a few words of Slovenian and used them repetitively in English sentences. He also understood quite a lot of Slovenian. You don't see that too often even when traveling around Europe.

So we went to the top of the hill where we could enjoy a beautiful view of the Valley of the kings on one side and the Valley of the queens on the other. From there we descended to the other side of the hill to the Temple of queen Hatchepsut in the Valley of the queens.

We had a gorgeous view of the Queen Hot-chicken-soup Temple (as our local guide Osama renamed the Queen Hatchepsut temple). On the way down we went by a couple more recent tombs. They were supposedly used by people living nearby.

Osama, as a true Egyptian didn't accompany us but instead took an air-conditioned bus to the temple.

The temple is very well preserved. There is still original paint on some of the walls and statues. It was scorching hot, so we didn't hang around for too long.

When we got on our bus we thanked God (Allah in this case) for the air-conditioning. The bus took us to the town of Hurghada (Al-Ghardaqah).

It stretches for many kilometers along the sea. Once a Russian airbase stood there, but now the only types of buildings are hotels, look-alike shops and ugly residential buildings for the hotel and shop personnel. In my opinion Hurghada has no soul whatsoever.

We ran into many groups of Russian tourists. We were told that many of the shops were owned by Russians. In some of them even fur caps and coats were on display.

I guess I don't need to stress the temperature outside was around 45 degrees Celsius at that time.

With my girlfriend M. we both agreed that this was the most unpleasant place on our trip and would not want to see it again. That is quite unfortunate, because beside Sharm el Sheikh it is the destination most frequently offered in Slovenian travel catalogs.

Truffle days in Istria

For as long as I can remember, we have been vacationing in coastal towns of Croatian Istria. I guess that's mainly because Istria is a really close to Slovenia. Now this peninsula is a part of Croatia, but when I was still a boy, Slovenia and Croatia were both parts of Yugoslavia.

I drove through the Istrian peninsula many times but I can't say I have spent much time exploring the central part of it. Lately it is marketed as “the new Tuscany” and I must say there definitely is a resemblance. Unfortunately until recently I was always speeding past those charming old hill towns, just to get to a seaside destination of choice as quickly as possible.

A couple of weeks ago I had a different plan. Together with M. we decided to taste the land of truffles. It was a two day trip and we are not sorry we did it. We saw some great stuff and enjoyed delicious local food.

We started with a visit of Motovun - a town where once a year a film festival takes place. The town sits on a highest hill in the neighbourhood and is surrounded with lots of smaller hills. I guess that is the strategic advantage its founders many centuries ago were looking for.
That's also the reason we spotted it from far away. We parked our car on the slope of the hill and walked into town (only residents are allowed to drive into town). Charming, narrow streets are literally impregnated with the smell of truffles.

A perfect day in Lubenice

On our second day on Croatian island of Cres we decided to visit another picturesque little village. Ancient village of Lubenice. This time we were following a recommendation and were not sorry to do so.

Lubenice literally translates into English as water melons. I don't know what is the connection between the name of this settlement and the fruit, but we definitely didn't see any watermelons while we were there.

It is believed that this village has been continuously inhabited at least for the last 4.000 years. Yes, that is old - Bronze age old. I guess the natural setting of the village has always been a decisive factor. From a view of a strategic position, it has always been really well protected. The side facing Adriatic sea drops straight down towards the sea - 378 meters below. Enforced with a stone wall with only two entries during the Middle Ages I guess this was an unconquerable stronghold.

Today it seems there are more churches in this villages then any other building types. When walking through the streets of Lubenice everything really feels old. In clear weather it offers magnificent views of northern Adriatic.
Local taverns are known for their excellent lamb dishes (jagnjetina ispod peke). I must say it really was delicious! The small tavern also has delicious local vine, cheeses and prosciutto on offer.
Apart from enjoying a meal in a couple of very good taverns and visiting a small museum, there isn't much to do in the village itself.

Macedonia trip impressions

I have returned from Skopje (the capital of the Republic of Macedonia) a couple of days ago. It was quite a short trip and I must say I was a bit exhausted when it was over.

We went there as a group of 10 friends to celebrate NY 2010. We planned to enjoy what Skopje has to offer and now I can say we definitely succeeded in doing that.
If I had to describe our trip in three words I would do it like this:

Train - Food - Skopsko

Let me explain those three words...

Train is there because we had a really loooong train journey from Ljubljana via Belgrade to Skopje - it took us more then 20 hours (including an one hour stop in Belgrade) to get to Skopje and even more for the trip back. On the way there we couldn't get a reservation, but were lucky to get free seats anyway. On our way back we would probably have to stand the whole way from Belgrade to Ljubljana (almost 11 hours) if we didn't have reservations. Luckily we did.
Even with reserved seats it was not a very pleasant experience. I recommend you take a plane if you can afford it. Let me just say that trains we used have definitely seen better days.

Food is a real highlight of Macedonia. It is quite cheap to eat out and if you know where to go, it is also very delicious. The main ingredient of almost all of our meals was meat. I couldn't single out one particular favourite dish - everything we tried ranged from very good to excellent. Among other things I tried Grilled vešalica, Šapska pleskavica, Grilled ram-steak.

If you are lucky enough to go there during the summer months, fresh vegetables and fruits are also definitely worth mentioning.

Oh, I almost forgot to mention great desserts we were all excited about. One instance of that would definitely be Tufakija.

High heel obsession

One of the things I was surprised to see in Skopje (the capital of the Republic of Macedonia) was an obsession with high heels. Almost every woman was wearing them. I have a strong feeling that those few maladjusted ladies without high heels must have been tourists.

There is even a metal statue set up in the city centre representing the beauty of local women. At least I saw it like that. If someone has a better explanation, please do let me know.

Despite the time of year (middle of winter) and quite low temperatures the majority of women were also wearing very short skirts or at least some kind of tights and had obviously spent quite some time in front of a mirror.

The male part of our expedition didn't mind the situation. Even our female companions were impressed by what they saw. In fact M. was so thrilled with the whole thing that just had to buy a pair of fancy high heel shoes herself.
I must say I didn't have anything against it. It was not a very cheap thing but definitely a good choice anyway.

Skopje - A Divided City

There is one city that Skopje reminded me of. When I visited Casablanca (a city in Morocco) I had a similar feeling, but the line between two sides of the city was not so obvious there (you can read more about the "Moroccan city of contrast" in this post).
In Skopje the river Vardar acts as a barrier between the two worlds. However this barrier can easily be breached using the Old stone bridge, linking the two sides for centuries.

On the right side of the Vardar river is the new town. The main city square looks quite new and could be easily placed in some other modern European city. The nearby streets lined with cafes and most of the famous trademarks are sold in many of the very European looking shops. Unfortunately, judging by the average monthly income which is somewhere around 400 Euros, not many locals can afford to go shopping there. Not only the looks but also the prices in these stores are also very European.

On the left side of the river stands the old - Albanian part of the city, overlooked by an old fortress (it is supposedly being rebuilt for quite some time now). If you get lost in the grey streets, you will find the old bazaar easily. With tons of junk sold there, it definitely has a special kind of charm. If the right side looks European, the left side of the river definitely looks at least a bit Asian.
Rumor has it that the police don't patrol the Albanian side of the river. I didn't feel unsafe for a moment, but then again I did not try to wander these streets by night.

My intention is definitely not to make people turn away from exploring "the darker" side of the city.
On the contrary... If you get a chance to visit the city of Skopje, I strongly suggest you take a trip to the other side of the bridge and also get a glimpse of the old charm.

Apart from all that, there are also other things enforcing this feeling of contrast. For instance new and shiny buildings stand right next to collapsing old grey houses.
Even those new buildings usually only look nice and shiny from a safe distance. If you take a closer look you can usually find quality materials put together in a hurry and without much thought. This was also the case with our rented apartment. It had two nice bathrooms with a leaking bathtub/shower in each.

The building our apartment was in had a fancy video intercom at the front entrance and the front door could be opened via a numerical pad. In theory that is...

In reality none of those things actually worked and when the door bell rang, one of us had to walk five stories down to open the front door manually.

When to visit Venice?

I have decided not to visit Venice this year. At least not in this time of year when everything there goes crazy with the annual Carnival (Italians call it Carnevale di Venezia).

The best time to visit Venice depends on the purpose of visit. If you want to see the Venice Carnival with all the famous Venetian costumes, you obviously have to plan your visit when the event takes place. It starts around two weeks before Ash Wednesday and ends on Shrove Tuesday (Fat Tuesday or Mardi Gras), the day before Ash Wednesday.

That means in 2010 it takes place between February 6th and February 16th. If you decide to go these days, you have to be prepared to face hordes of other tourists from all over the world. Walking the streets of Venice during this period of time is limited to being carried along by a river of people. Obviously seeing most of the popular attractions during this time is literary impossible.
Also taking good photos is quite a challenge with all those crowds around.

If you choose some other time of year (for instance October or November), you will probably be able to avoid the large scale tourist pollution and have an opportunity to wander the narrow streets and enjoy the (at times smelly) canals almost by yourself. Actually you will never be all alone in Venice, but it can be quite nice even with some tourists around.
The drawback is that except inside many shops you won't be able to see any traditional Venetian costumes.

However there is a short period when you can taste a little bit of both. Just before the official Carneval starts, you can avoid the large crowds and also see some early costumes parading the streets. I am pretty sure they will be more than happy to pose for your camera. I would say the best time to do it is about two weeks before the official beginning.

Made it back from the Dolomites

We went skiing to Civetta again. I guess it is becoming sort of a tradition, since we have been there for the sixth winter in a row.

We just never seem to get tired of going there. The vistas of the Italian Dolomites are simply stunning.

Apart from lots of skiing, eating and drinking, nothing special happened there. Well on another thought - it would really be a shock if we would not have done all of those things.

When I packed my bags I used this check list I prepared some time ago. It is still quite handy.

For the last couple of years I have been posting a summary of my skiing report from the official Dolomiti Superski web page at the end of each year's trip. Unfortunately this year it is unavailable due to some issues regarding disclosure of personal information. They are supposedly getting some 40 complaints over email every day but it does not really seem to help all that much.

This is a classical example of a bad outcome when some people are too concerned about personal data. On the other hand we are monitored by I don't know how many surveillance cameras every day and tracking our mobile phones is also not too hard to imagine. Well, sadly that is supposed to be OK I guess...

Cross-country skiing center Vojsko

Cross-country skiing is gaining popularity again in Slovenia. It was already quite popular over a decade ago, but then lost many supporters due to a rise of alpine skiing. In my opinion it happened because of better and better equipped ski slopes. Modern and fast ski-lifts were being installed on almost every ski slope.
Besides all that, Slovenian professional skiers are some of the most popular public figures in the country. They have been continuously achieving good results in the World Cup series for many decades.

Nowadays both sports are very popular again. Cross-country skiing is gaining supporters by the day.
Excellent results of Tina Maze (Slovenian alpine skier) and Petra Majdič (Slovenian cross-country skier) have a great deal to do with that. They were both also among this year's Vancouver Olympic medal winners.
Petra was also awarded the Terry Fox foundation award for incredible courage and determination after breaking several ribs and puncturing her lungs and still finishing third.


All that made us think and after a couple of years long break, M. and I finally decided to go cross-country skiing again. We are both beginners in this sport. Three years ago we attended a beginner level training and have not been practicing very often since then.

That is a pity, because there is an excellent cross-country skiing facility nearby. It is called Cross-country skiing center Vojsko.
I have to say I like this sport - it is really cheap. Once you get your hands on some equipment you can do it literary for free. The equipment itself is also relatively cheap.

Winter just won't go away

This year winter obviously decided to hang around for a bit longer. Well at least here in Slovenia.
Most of the hills are still covered in deep snow. Fortunately for the last week or so the weather has been reasonably warm at lower altitudes.

Two weeks ago or so we had the first sunny and quite warm day. Unfortunately that didn't last long. After that day cold northern winds started to blow and for the next week it was really cold and windy around here. In some places wind speed was even over 200 kilometers per hour (that is over 125 mph)! All sorts of things were flying around and many roads were occasionally closed due to overturned trucks. Here you can see how a fellow Slovenian blogger documented the situation.

I hope now we are done with that and spring is finally coming. I have spotted some snowdrops in front of the house trying to break free from the snow. I am sure this is a good sign.

It seems now we are looking at some warmer days at last. However if you are planning a trip to Slovenia and want to see some snow, it is still the right time to do it.

If you prefer a bit warmer weather, you might want to wait a while longer. I suppose in a month most of the snow will be gone even in higher areas. However, high in the Alps it is quite common for the snow to last until the beginning of summer.

Pascal Meunier: Mauritania

One of my favorite travel documentary photographers is Pascal Meunier, the French photographer, who specializes in documenting the Arab-Muslim cultures.

I posted about Pascal's wonderful imagery of the decrepit public baths in Cairo earlier on TTP, and now bring you another of his galleries depicting the oasis of Oualata in the Mauritanian desert. I have some favorites; the one above and another (#09 in the gallery) which contrasts the hennaed design on a woman's palm to the geometrics on a house...maybe a bit of a cliche, but I liked it.

Before you visit the gallery, here's some interesting background on Oualata: it's a an ancient town on a caravan route in south east Mauritania, near Mali.The city was founded in the eleventh century, when it was part of the Ghana Empire, and was destroyed in 1076 but refounded in 1224, and again became a major trading post for trans-Saharan trade and an important centre of Islamic scholarship.

Today, Oualata is home to ancient Qur'anic manuscripts, and is known for its highly decorative architectural style, evidenced by beautiful geometric designs on the red-clay inner and external walls of its houses. It is also a World Heritage Site.

Some of you may find that the concept and designs of Oualata similar to those found in certain villages in Rajasthan. The main difference between the two is the absence of the human form in those of Oualata, because of the Qur'anic prohibition of such images.

NY Times: Old Delhi

I usually think that the New York Times multimedia features are quite good, however this week's Sights & Sounds of Old Delhi is disappointing. The feature documents some of Old Delhi's chaotic neighborhoods, bazaars and narrow lanes.

The accompanying article by Jonathan Allen is informative and well-written. I like this particular paragraph:

"Much of Old Delhi life goes on unabashedly out in the open. Young men get facials in open-fronted male beauty parlors, or you might spot a gaggle of children getting bucket-washed in the courtyard of a haveli, a once-grand mansion sunk into decay. Some kind of encounter with goats is virtually guaranteed, many of them dressed attractively in ladies' sweaters during the winter. None of them seem even remotely alarmed at the sight of stalls piled high with severed goats' heads."

But back to the slideshow...the photographs are less than inspiring and the audio is terribly amateurish. Although I liked a couple of the pictures (the one of the car spare parts is hilarious....how on earth can they find anything in this mess is beyond comprehension), most of them are nothing to write about. I'm sure that the NY Times photographer, Tomas Munita, is an extremely competent photojournalist, but this feature is a dud.

Beyond The Frame: Indian Gypsies

At the end of the Pushkar camel fair a few years ago, I traveled in a crowded and creaky train between Phulad and Jojawar in South Rajasthan. The train stopped at Jojawar station, and I disembarked along with a few locals still dressed in their festival finery and carrying shopping bags heavy with presents for their families.

Near the small one-room stationhouse, I noticed a small group of Indians, dressed in colorful dresses and turbans. These were Lambanis or banjaras, who originate from these parts of Rajasthan. They are part of the nomadic tribes of India, and travel from place to place in search of a livelihood. They have their own language which has no script, their own culture and a unique social structure. It is said that the Roma gypsies in Europe are decended from the Lambanis tribes.

A couple stood out because of their dress and friendly demeanor, so I approached them and after a few moments of indecision, they agreed to be photographed. I wasn't sure if they were husband and wife (and I still don't know), but after a few photographs and good laughs, I jokingly gestured the man (who wore a necklace and had long hair tucked under his turban) if he could get closer to the woman. He surprised me by quickly hugging the woman...a public display which is highly unusal in rural India, and which was accompanied by the hoots and catcalls of his group. I tried hard to get him to hug the woman again, but to no avail. The fleeting moment had passed, and it was not repeated.

This photograph appeared in a two-page spread in the Digital Photographer magazine.

Let's Go Photo Contest

The publishers of the popular Let's Go guidebooks have recently announced a photo contest. They're looking for primarily scenes that capture the essence of the books being updated this summer. The contest deadline is April 15, 2007. Let's Go will put your photograph on the cover of the Let's Go Guide and give you a copy of the book. The guides will come out in November.

Interested? Before you go rushing to your inventory of photographs, read this bone-chilling condition in the contest's release form:

"By participating in the photo contest, you hereby grant Sponsor (ie Let's Go) all rights to the image(s), including the right to edit, adapt, modify, or dispose of any proper names, likenesses, photographs, and/or city/states on any image(s), as well as all rights to publish, and use in any manner, on any Let’s Go, Inc. products and/or publications, print or electronic, and in any other media for advertising and promotional purposes for this and similar promotions in all media (including and without limitation, the Internet) without any consideration or payment to you, except where prohibited by law.

Now if you're still willing to participate, then go to: Let's Go Contest

My position on this issue is that the Let's Go publishers will get no professional photographer's work in this contest, and that they should pay monetary (or at least a substantial prize) compensation for the chosen photograph. As it stands, they're essentially getting something for nothing.

Q. Sakamaki: Bangladeshi Sex Workers

Q. Sakamaki graduated from Columbia University with a master’s degree in International Affairs, Concentration in Conflict
Resolution and Human Rights. Born and raised in Japan, he now makes his home in New York City and has been photographing war zones throughout the world such as Afghanistan, Iraq,Palestine, Liberia, Bosnia and Kosovo - documenting not only the political landscape but people’s emotional relationship to conflict.


His photographs have appeared in books and magazines worldwide including Time, Life, and L’espresso and have been the subject of solo shows in New York and Tokyo. He has published three books, including "Palestine", is a Karate master, and a writer who contributes mainly to the Japanese media. He's represented by Redux Pictures.

To illustrate this post, I chose an image from the Banglan (I'm unsure what Banglan means, but I suspect it's another word for Bangladeshi) Sex Workers gallery on Sakamaki's website. The image is of 15 year-old Rotina, a sex worker who has contracted HIV. Most of his images are toned, and are powerful examples of what responsible social photography is capable of.

Evan Abramson: Bolivia

Evan is a freelance photographer in Bolivia for The New York Times, The Washington Post, The Miami Herald and Bloomberg News. His website tells us that he dedicated the past three years to creating a visual narrative of the lives and experiences of Andean farmers in some of the highest and farthest settlements of humans in Bolivia. He participated in as much of the daily lives and rituals of the Andean farmers as he could, including the Tinku, or “Encounter”—a ritual fight between members of neighboring zones or villages—even going so far as to learn the Pre-Columbian Quechua language more widely spoken in the Andean countryside than Spanish.

He lived and traveled through a wide network of rural Andean villages and provincial lands of barren pastoral settings, meeting mostly farmers, economically impoverished, but humble and earnest in their approach to life.

His affection for the Bolivian people, and his strong connection to Bolivia, are both evident in his powerful, and yet sensitive, work.

This is the second posting on Evan's work. The first was in mid February, when his work on the Tinku festival was published in a slideshow feature in the New York Times. I look forward to admire further work from Evan.

Dirk Panier: 'Must-See' Multimedia

Dirk Panier is a photographer from Belgium, and has created an incredibly beautiful multimedia flash website...probably one of the best I've seen. It's a 'must-see"....not necessarily for the photographs, but for the creativity of the whole feature.

His multimedia galleries are not only creative, but are inventive, of extremely good taste, and are visually and aurally compelling. Cuba, Morocco, Tunisia, Sicily, Syria, Jordan, Istanbul, Sri Lanka, India and Thailand are represented, and are all exceptionally attractive galleries.

Dirk's galleries are accompanied by interesting music and chants. The gallery of Tunisia is accompanied by an Egyptian soundtrack, but this slight oversight hardly matters. Don't miss the steam coming out of the teapot's spot in the Moroccan feature!!!

I have considerable admiration for the aesthetic skills and creativity required to bring all the elements of this multimedia package together, and I strongly encourage you to devote ample time to savor it and then bookmark it. I'm envious of Dirk's skills...you may be too.

James Nachtwey: United Nations Show

The United Nations is currently exhibiting the superlative photographs of James Nachtwey depicting the pain and suffering of people afflicted with AIDS and tuberculosis.

A poignant passage about the exhibition from the article in the New York Times:

"In Thailand, north of Bangkok, he (Nachtwey) came across an American priest named Michael Bassano who spends endless days with the most desperate of AIDS patients, massaging their feet, changing their diapers, helping them die. Their flesh clings like cellophane to their bones, and their eyes roll up in their heads. In one photograph Father Bassano’s arm just barely extends into the lower right corner of the frame, clasping the tiny wrist of a young woman named Lek. She stares doe-eyed back at him, as if from the grave."

Ami Vitale: Kashmir

I can't believe that I blogged so far and not mentioned Ami Vitale on the pages of TTP!

It's been written of Ami Vitale that she's nothing short than a terrific photographer, whose work is about being with people in every sense. A feature on her from 2003 on the Digital Journalist site says "She does not simply report her stories. She lives them."

Vitale is regarded as one of today's most memorable visual storytellers. In addition to multiple POYi awards, Vitale has received recognition for her work from World Press Photo, the NPPA, Photo District News and the Society of American Travel Writers, among many other organizations. In 2002 Vitale was awarded the first-ever Inge Morath grant by Magnum Photos. The Alexia Foundation has also awarded her grants for World Peace and the city of Gijon, Spain. Vitale's photographs have been published in major international magazines such as National Geographic Adventure, Geo, Discovery, Newsweek, Time, The New York Times Magazine, Smithsonian and Le Figaro. Her photographs have been presented in international exhibitions including: Visa Pour L'Image, Perpignan; Reporters Sans Frontiers, Paris; the FotoArt Festival in Poland; the Open Society Institute and The United Nations in New York.

She believes in spending time on a story, and in living with the people she photographs. This, she says, has helped her to get beneath the surface of a story. In an interview on the Digital Journalist, Ami says: “You have to get into a culture to actually live there to understand things aren’t as sensational when you understand them in their context. I’ve jumped in, parachuted into a few places before and I didn’t like it. It’s very dangerous and I’ve felt like I wasn’t portraying things truthfully, or it was a different truth.” This speaks for itself.

Simon Larbalestier: Cambodia

Simon Larbalestier's photography has moved over the past 20 years from album artwork for iconic rock bands to a more documentary approach. His current work involves detailing and documenting chronic disability in Cambodia through the help of The Cambodia Trust, a UK based Charity that operates in the poorest provinces of Cambodia. He's also interested in working within cultures that are trying to re- establish themselves and gain a new foothold in the 21st century.

He says that he's rooted in traditionalist methods of picture making using B&W film and range-finder cameras, and although now using digital methods to output work for clients, the origination is always from film. He's based between the UK, Thailand and Cambodia preferring to hand print his own photographs back in the UK.

His website has a handful of galleries, and I suggest you start with his beautifully toned images of Cambodia. The gallery then moves to Thailand, Laos etc.

The Best of Photojournalism

Carolyn Cole of the Los Angeles Times won the coveted Photojournalist of The Year award for her coverage of the Israeli-Hezbollah conflict in July, 2006. The contest is a project of the National Press Photographers Association, and is described as the contest designed by photojournalists for photojournalists.

Carolyn's work can be seen on BOP's website, and includes the above photograph whose caption tells us that it is of the bodies of civilians, many of them children, killed in the Israeli bombing of Qana lie wrapped in plastic and sprinkled with flower petals. They were among the 1,100 Lebanese civilians who died in the month-long conflict.

Environmental Portraiture

A large part of my work is photographing people in their local context, resulting in what I like to call ‘environmental portraiture’. Some of the techniques I use are:

1. While most of my portraits have been of single subjects, I currently prefer adding a second person into an image to add a new layer to the subject matter. The image is no longer just about one person and his/her environment, and the viewers of the photo begin to speculate about the subjects’ relationship with each other, to the immediate environment and to their surroundings. A whole story plot can emanate from such images. Phil Borges is particularly adept at this technique, with a main protagonist in the photograph taking center stage, and another person in the background adding depth to the visual scene.

2. When opting for a single person portrait and realizing that the background doesn’t add much to the image’s context, I try to get as close as possible to fill the frame. On the other hand, if the background is relevant or complementary to the portrait, and isn’t distracting, I pull back.

3. The choice between candid (or natural) portraiture and posed photography is determined by the situation in which I find myself. If the circumstances allow it, I try to do both with the same subject. On my photo expeditions or when photographing solo, I frequently set up extended photo shoots, and although this goes against the grain for some travel photographers, I found that it allows my images to tell a story about the persons I photograph. During these photo shoots, I have the opportunity of establishing a rapport with my subjects, put them at their ease, interview them and record their voices along with any ambient sound. This gives me the raw material I need for the production of multimedia stories.

Joyce Birkenstock

Joyce Birkenstock is a remarkable artist and photographer, and a peripatetic international traveler who has visited most countries of the world. She received her training at the University of Dallas, the University of Iowa, the Norton Art School, the Art Students League, and the Vermont Studio Center, and her awards, achievements and professional affiliations are too many to list here. Her artist's statement on her website includes this: "I feel a human connection with the people I paint, and while I may never see them again, I have become a part of them and they have become a part of me."

She traveled on most of my photo expeditions, and the picture above is one of her exquisite paintings made during the photo expedition The Temples of People of Angkor Wat, which I organized and led in February 2006.

Verdict: The Holiday & Travel Show

Well, I did drop by the London Travel Show in Earl’s Court. The exhibitors included every travel-related business operating in the United Kingdom, from Audley Travel Group to World Expeditions. Hundreds of travel operators offering travel packages, adventure and specialty tours, along with tourism boards and vendors of travel gear, were all represented there. Heidi Laughton, a photographer friend here in London, joined me in attending a Beyond the Lens lecture in the hall. It was moderated by photographers Paul Goldstein (Exodus), Ariadne Van Zanderberger of Bradt, and Steve Davey. The lecture was a ho-hum affair with nothing more than superficial discussions on the current travel photography industry in the UK....but let's face it, it was free.

The short listed submissions in the Travel Photo of the Year competition (run jointly by the Independent newspaper and Wanderlust) were exhibited. Heidi’s submission was a lovely black and white photograph of street urchins in China.

I came out of the show with a handful of handsomely printed travel catalogs. The quality of the printing of some of these catalogs surpass anything I've seen in the United States. Audley Travel's glossy catalogs with superb photography, as an example, really stand out. Many of the well-known UK and European travel and stock photographers, such as Paul Goldstein, Steve Allen, Peter Langer, Toby Sinclair and Mario Pozzi, are credited for photographs on the Audley catalogs.

The Jews of Cuba

The Travel section of this week's New York Times carries a short slideshow on the Jewish community in Havana. It's a far cry from the bustling community of pre-Castro's era, but the small number of the remaining Cuban Jews keep their traditions and culture alive. The photographs are by Sven Creutzmann, a Polaris photographer.

I visited Havana for an accredited street photography workshop in 2000, and recall the Jewish synagogue in Havana Vieja, which was unfortunately closed at the time of day I visited. Havana and its wonderful people offer such a wealth of photographic opportunities, and I am impatient to be able to revisit (legally) the island. It's an absolute outrage that US citizens are restricted from legally visiting Cuba, and seeing the number of potential British tourists swarming all over the stall of the Cuban Tourism Board at yesterday's Travel Show was really galling.

Canon Mark III Rumor?

The photography blogsphere is buzzing with rumors that Canon has a prototype of a 1Ds Mark III being tested by a select handful of photographers. Annie Leibowitz is said to be one the lucky ones.

Should this be true, the 1Ds Mark III might have a 22-megapixel resolution, a substantial increase over the 17.2-megapixel EOS-1Ds Mark II, and could deliver these extra pixels in a body that's half the size of its large, heavy predecessor.

Rumor or not, we will not know anything definite for 8 months, since the camera will not get announced until PhotoPlus Expo in October 2007.

Do I personally care? No. I think that if such a camera was to be for real, it would be better suited to studio and commercial photographers than to travel or editorial photographers...and if so, I can't wait to see what its street price will be: $8000-9000?

Paula Lerner: The Women of Kabul

A few months ago, I chanced upon a well-produced multimedia slideshow of Paula Lerner's arresting images of Aghani women in Kabul.

Paula spent much of her 21-year career as a photojournalist documenting stories for national and international magazines, and in both her professional assignments and personal work, women's issues have been a recurring theme. Knowing that Afghanistan's women face some of the harshest circumstances of women anywhere in the world, she volunteered to work for Business Council for Peace, a nonprofit organization that assists women in post-conflict countries.

Reuters: Use of Photoshop

As a consequence of a recent fracas involving manipulation of images of the Lebanon-Israel conflict last summer by a photographer associated with Reuters, its Editor-in-Chief recently posted rules governing the use of Photoshop to its photographers/photojournalists. These have raised a debate within the photojournalism industry as to what is digital manipulation...is it any different from the traditional darkroom techniques used by film photographers? Is it relevant to travel photographers? I think so, but you decide.

I agree wholeheartedly with these rules. My use of Photoshop is limited to the very basics. For example, I seldom crop my images in Photoshop, but I used selective sharpening on a few of my images, as well as auto levels. However, I do not use anything other than minor color correction and sharpening when submitting my photographs to buyers. Why? Because it's unethical and digital manipulation is always found out by a professional editor.

Here are the rules summary:

ALLOWED:

• Cropping
• Adjustment of Levels to histogram limits
• Minor colour correction
• Sharpening at 300%, 0.3, 0
• Careful use of lasso tool
• Subtle use of burn tool
• Adjustment of highlights and shadows
• Eye dropper to check/set gray

NOT ALLOWED:

• Additions or deletions to image
• Cloning & Healing tool (except dust)
• Airbrush, brush, paint
• Selective area sharpening
• Excessive lightening/darkening
• Excessive colour tone change
• Auto levels
• Blurring
• Eraser tool
• Quick Mask
• In-camera sharpening
• In-camera saturation styles

POV: Techniques

Here's another way of changing a photographer's point of view. I suggested in an earlier post that photographers had to vary their angles, and one way was to photograph from a low viewpoint. Here, I chose to photograph the Cambodian doan chi from above. Yes, being 6'3" tall does give me a certain advantage.

I wouldn't recommend that you do the same before gaining your subject's trust, and ask permission first. In this case, I conveyed my intention to the nun-widow with sign-language, and she never exhibited any reaction to my towering above her and so close. She probably thought I was photographing something in the distance.

Flash Gallery Makers

As readers of The Travel Photographer Blog know, I use Soundslides to produce multimedia slideshows for my images, and find it more than adequate for my requirements. However, for those of you who are more interested in producing simple photo web galleries using Flash architecture, there are a few products that will do that quite easily.

The simplest photo gallery is the one in which the photographer's web site has a number of image thumbnails, which when hovered on with the pointer, open on to a larger version of the thumbnail. It's effective, clean and easy to navigate. and Macromedia Flash is widely available on most computers, whether these are Mac or Windows operating systems.

There are two software packages I know of which do what I describe. The free version is called Slide Viewer which is cross platform (ie both Mac and Windows) compatible. It's a simple viewer as the name indicates, and seems quite easy to install and will build the "thumbnails + main image" type of gallery some photographers seek.

A much more sophisticated slideshow maker SlideShowPro is available, and widely used by photographers and other visual artists to showcase their work with a bit more flair. Music and background soundtracks can be added to the slideshow, and it offers other plug-ins as well. It's available for $25 through its website.

Phil Borges

I've had the pleasure of meeting Phil Borges in his home town of Seattle in 2004, and photographed alongside him in Dharmasala in March 2005 when I was assisting in his Bridges of Understanding program. His work is just superlative, and his signature style of black and white portraits with the subject's skin toned in is recognizable anywhere.

As Phil and I were photographing novices at the Chortling monastery in Dharmasala, I couldn't help but notice how our styles were different. I am a fast photographer, triggering the shutter as fast as I can....while he is slow and deliberate. I watched as he left his Canon cameras to the side, while he gently spoke to the novices and made them comfortable with our presence. He studied the narrow rays of sunlight that shone in the room, and set the novices in the positions where he could exploit that light. The setting up probably took 4-5 minutes (a virtual eternity to me), and only when he saw exactly what he wanted, did he pick up his cameras. I learnt more from watching Phil than I did from all the photography lectures I attended.

Phil’s current project, Women Empowered, introduces some of the extraordinary women in the developing world who are breaking through gender barriers and conventions in order to enhance their well being and the well being of their community.

A Requiem For Angkor?

The Washington Post published a pessimistic article about the future of Angkor. Peace in Cambodia has opened it to the tourism industry, and the magnificent temples of Angkor have in recent years generated considerable revenue for the national government. This year, a deluge of tour operators is expected to bring in nearly 1 million foreign visitors, a sixfold increase since 2000. According to UNESCO, the total number of visitors to Angkor will reach a record 2 million this year and at least 3 million by 2010. I understand that the largest tourist numbers are from Japan, Korea and then the United States.

I saw this marauding influx first hand during my photo expedition in February 2006, and witnessed the increasing damage it caused to the temples' infrastructure when compared to my previous year visit. My driver told me that 40 hotels and inns had been built in Siem Reap over the course of only 4-5 months, giving it the feel of a gold rush town. I recall feeling that Angkor Wat would be a Cambodian Disneyland within a few years, and I read an echoing quote in the article by Khin Po Thai, a longtime Angkor guide and preservation activist who said "Angkor has become a sort of cultural Disneyland". It's sad but I doubt if there are any solutions.

Jehad Nga: Ethiopia's Stone Churches

Continuing on the theme of Ethiopia as an incredible destination for travel photographers, here's a slideshow of Jehad Nga's work in Lalibela, and recently published in the New York Times. These were photographed during the Feast of Transfiguration, which occurs in early August in the Orthodox Christian calendar.

Jehad is a Corbis photographer, and you'll see that his images are often made in the dark, only a single source of light highlighting the individuals themselves. As an example, see the image of deacons during the church sermon at Beta Medeanlam which is lit by candles. How he manages that so effectively is a testament to his creativity and talent. Over the past four years, Jehad Nga's assignments have found him covering stories in Somalia, Kenya, Iraq, Liberia, Libya, Darfur, Ethiopia and Iran.

A bit of background on these images from the NY Times' Joshua Hammer: "I had arrived in Lalibela, fortuitously, just before the Feast of the Transfiguration that commemorates Jesus’ appearance in divine form before three of his apostles on Mount Tabor. Within a few minutes, my guide had whisked me to the grandest of King Lalibela’s 11 monolithic churches, chiseled out of a single mass of reddish limestone by royal craftsmen at the end of the 11th and the beginning of the 12th centuries."

Cover It Up??

I’ve seen many photographers, on my photo expeditions and elsewhere, constantly looking at their DLSRs’ LCD screens to check if their just-captured image looks right. This reflexive action, which has become a habit to some, wastes considerable time, and potentially results in the loss of the ‘decisive moment’ we all hope for. The fleeting smile, the momentary look, the brief twinkle in the eye, can be all gone while you have your head down looking at the LCD figuring out if the histogram or “who-knows-what” is correct or not. Of course, the question is why don't the DSLR manufacturers gives us an option to turn the display off? Maybe some do, but Canon doesn't.

I know that many of the war photographers and conflict photojournalists actually put black tape (you know, the tape used by electricians) over their cameras LCD screens to stop them from looking while photographing (they do that for safety reasons as well). Another more elegant solution is what is peddled by Delkin Devices as Pop-Up Shades. These come in different models to fit most DSLRs, and provide protection to the screens and double as glare guards. I’m not sure I’d like them, so if I catch myself peering at my screen too many times, I might try the electrician tape solution first....but others may prefer the pop-ups.

PDN 's Travel Photography Contest

The venerable Photography News Digest (PDN) magazine has published results of its World In Focus contest. I found David Sacks' Light Rain photographed in Uganda to be excellent, and well deserving in winning the Human Condition category. The woman carrying her baby, the tree in the distance and the movement of her skirt all contribute to a well balanced composition. The image's toning also adds considerable 'gravitas' to the image. I imagine that its color version might not be as compelling.

The remaining images in the contest range from being excellent and well worth the accolade to being pedestrian and lackluster.

One of the few really ho-hum images is one by Deborah Young photographed in Angkor Wat. What bothers me here is not the image (although I don't see what attracted the judges to it) but the caption that accompanies it. The caption says "Taken at the ruins of Angkor Thom in Siem Reap, Cambodia, a child monk sleeps while hundreds of tourists walk around him." Who are they kidding? Anyone who's been to Angkor knows very well that such a thing will never happen. Never. The caption writer (whether it's the photographer or someone else) is making it up.

This novice (there are no such thing as a 'child monk') would be virtually trampled to death if he was to lie down as he is doing in this photograph. No, this image is posed, and not very intelligently at that. I have nothing against posed photographs, but what I do find ridiculous is the caption. Oh, another thing...the ruins are that of Bayon temple at Angkor Thom.

John Stanmeyer

I met John Stanmeyer at his beautiful home and studio in Bali where he was conducting a photojournalism workshop. He is the co-founding member of VII and a contract photographer with Time Magazine since 1998. He has spent over 7 years focusing on Asian issues and has been working on a book about AIDS throughout Asia, as well as continuing his photographic documentation for a book on the radical changes in Indonesia since 1997.

For this workshop, he sponsored two Indonesian photographers who would not have been able to attend otherwise. In an interview, he said “They were taking brilliant pictures with busted equipment but they never photographed enough. At the end of the day, they only showed us a few photos. Finally, I discovered they couldn’t afford flash cards and were using only one 256 mg card. How do you support these talented people who try to communicate in difficult situations under difficult economic conditions? Their homes are in the places that we can afford to fly into and then can leave while they must stay and try to keep communicating.” The last sentence is also applicable to us, as travel photographers...don't you think?

A remarkable photographer, a wizard at photo editing and a genuinely nice guy, here’s John on Apple’s Aperture. I chose this multimedia feature because it shows him at work in his Bali home studio. He was working on that particular photograph when I was there as well!

Tritone Your Photographs!

I occasionally decide that some of my photographs would look better in black and white, but I rarely leave them as B&W and prefer to give them a warm tone. In the above photograph of the fishermen on Inle Lake in Myanmar, I used the following technique in Photoshop (I use Mac but I expect that Windows would be the same) to tritone it:

1. Open your image (RAW or jpg), and make all your normal adjustments in terms of levels, curves, brightness, etc (but do not sharpen yet). Flatten the image.

2. Go to Image>Mode>Greyscale in the menu, which will convert your image into black & white. Then go again to the menu, and choose Image>Mode>Duotone. This will bring up the Duotone options. Under the Type pull-down menu, select Tritone where you will be given the choices of 3 inks to choose from.

3. Select these three types of inks: Black, PANTONE 1205 C and FOCOLTONE 5011. This is done by ticking on each square of the ink samples in the dialog box. Click OK to confirm your three choices.

4. Your image should now be warm toned and probably darker than you’d like. So go to Image>Mode>RGB and switch the mode back to RGB.

5. Open your Levels adjusments and user the sliders to increase the highlights and mid-tones to the levels you feel is right for the image.

6. At this stage, you can sharpen the image and save it.

Megapixels Myth?

Here's a just published article by David Pogue, the NY Times tech guy, who explains the reasons why the more megapixels a camera has doesn't mean that its pictures are better....and that all this hype and spin about megapixels is nothing but a marketing ploy by the camera manufaturers to sell more expensive cameras, and to unecessarily accelerate obsolescence.

In a test, he and his associates compared large prints using the 16.7-megapixel Canon EOS-1Ds Mark II flagship camera in a studio, three photos of the same subject were taken at three different resolutions: 7 megapixels, 10 and 16.7. The results were virtually the same.

So are the photographs using the 16.7 mps Canon virtually identical to those using a Canon EOS 30D 8.2 mps? In my view, I think they would be very close...and almost impossible to tell apart unless the photographs are blown up to print sizes such wall-size retail displays where the 16.7 mps would have the advantage. However to state the obvious, the lens used on both cameras should be the same.

Sasha Dean Biyan

Sasha Dean Biyan was an aeronautical engineer and a consultant until becoming a full time photographer. He lived among indigenous tribes in Papua New Guinea and Borneo, and spent considerable time in the Amazon jungle living with the various tribes of the area. The technical and aesthetical foundations of his photography are remarkable, but it seemed to me that many of his ethnographical galleries were influenced by fashion. Intrigued, I looked his work up and discovered that he was also a successful fashion photographer. Mystery solved.

His Earth Pilgrim website is flash-based, and its navigation is somewhat quirky. The background music is new age, which I promptly turned off. My favorite gallery of the seven different galleries is Alma (Soul). For the most part, the black and white portraits stunning, and are technically spot on. Just look at the second portrait in the Alma gallery: a portrait of a Muslim Indonesian woman in Solo, whose face and eyes are simply mesmerizing…and how about the expression of the Peruvian man in Pitumarca? Yet, other photographs feel bland and “sanitized”. Compare Sasha’s work with that of Phil Borges, and you’ll know what I mean.

In my opinion, his work hardly qualifies as travel photography, but it’s certainly beautiful. My thanks to Felice for referring me to his website: Earth Pilgrim

Wednesday, 28 February 2007

A celebrity photographer is offering a 14 days photo 'workshop' in India in November 2007. The itinerary is expected to include a few days at the Pushkar Fair. I say 'expected' because the itinerary isn't ready yet. However, the cost of the workshop is ready at $7100 per person, and the workshop will accommodate 14 photographers. Yes, fourteen. The deposit to secure a berth on the workshop is $2000.

Being a compulsive number cruncher, here’s my back of envelope analysis. I’ve set up and led a similar itinerary before, and I know that current land costs for such a tour can be arranged for no more than $2500. If what I claim is true (and it is), this means that the celebrity photographer’s margin on the workshop is easily $4500 a head. Assuming (and it’s a fairly reasonable assumption) that the workshop will sell out, the celebrity photographer is looking at $63,000 for 14 days work. That's $4500 a day, folks. Nice work if you can get it.

There are enthusiastic people willing to pay a $4500 premium to attend such an event with a celebrity photographer, and I hope they get their money’s worth. Mind you, with 14 participants in the workshop, I'm not sure how much time each participant will get with the -hopefully accessible- celebrity, but having sharp elbows will help. As for me, “I just report and you decide”, as they say.

Cleansed of Sin By The Ganges

The Washington Post has published a gallery of images from Allahabad, where the Ardh Kumbh Mela is winding down. This is one of the holiest Hindu festivals, when millions of Hindus bathe in the confluence of the rivers Ganges and Yamuna. I've posted earlier about this festival. The images are by Indian photographers working for AP and Getty. The first image is of Western Hindus bathing in the Ganges, a rather incongruous choice for an opening photograph.

Kloie Picot: One Shot More

Kloie Picot is a Canadian photojournalist and filmmaker specializing in documenting conflicts, critical social issues, cultural events and religious rituals from around the world. She is also pursuing the multimedia field by combining her photography, video and sound.

Now based in Taiwan, she travels and works extensively in the Middle East, Central Asia and the Far East. She spent 8 months in Israel and Occupied Palestine filming 'Shots That Bind' on the lives and work of Palestinian photojournalists in Nablus. It is there where Kloie became enthralled with the split-second capture of moments which conflict photography exemplifies.

Kloie was kind enough to send me a DVD of 'Shots That Bind', and I was mesmerized by the remarkable hard hitting documentary.

Her website is fresh off the press, and I take great pleasure to introduce it here.

Bolivia: The Tinku Ritual

The New York Times and its sister company, the International Herald Tribune report today from Bolivia on the unusual ritual of Tinku, a word that means “encounter” in both the Aymara and Quechua languages, which was once widespread throughout the Andean world, predating the arrival of the conquistadors. Anthropologists say it now tenuously exists just in an isolated pocket of Bolivia, seven hours southeast of La Paz by bus on a dirt road.

The ritual involves dance, drinking chicha, a fermented beverage made here from rye, and then fighting breaks out until blood stains the dirt alleyways. It's a combination of harvest or fertility ritual and a chance for young men to show off in front of women from other communities.

I recall a festival on the Isla del Sol on Lake Titicaca when I visited Bolivia in 2002. The locals were celebrating a harvest festival, and although there was no violence, I thought that chicha did flow rather too freely.

The slideshow is of photographs by Evan Abramson of the NY Times: The Tinku Ritual

World Press Photo 2007

The World Press Photo in Holland announced its 2007 winners, and Spencer Platt deservedly takes first place with his picture of a group of young Lebanese driving through a South Beirut neighborhood devastated by Israeli bombings. The picture was taken on 15 August 2006, the first day of the ceasefire between Israel and Hezbollah when thousands of Lebanese started returning to their homes.

To me, this picture is the epitome of what photojournalism ought to be. A single picture says it all. The image of wealthy privileged Lebanese cruising a devastated neighborhood in South Beirut (aka a poor Shia neighborhood) says it all about the 'two' Lebanons. There's the privileged, moneyed, Western-leaning and (usually Maronite Christian) minority on one side and the downtrodden, poor, disinfranchised Shia majority which bore the brunt of the Israeli destruction last summer on the other. It's the classic tale of a divided nation where the minority elitist class govern, while the majority have little say in their country's future and their own economic advancement.

Just look at the picture: The women are in revealing dresses; one is holding a handkerchief to her nose (to protect her from the stench of death and destruction, or was she just blowing her nose?) and the other is blithely taking pictures on her cell phone. Are these young people going to volunteer to help fellow Lebanese who've been wounded and killed in the bombings? Are they going to donate blood? Are they going to donate funds to help those who are homeless? I just don't think so. To me, these people are on a sightseeing drive through devastated neighborhoods, and will return with their stories and cell phone images to show their friends while wasting their nights away in Beirut's nightspots. If I'm right, then what a despicable behavior!

To me, this picture foretells the future of the Lebanon.

Pascal Meunier: The Baths of Cairo

The featured photographs introduced in this post are a revelation for me, as I had no idea that public baths still existed at all in Cairo, the city of my birth. It appears that during the 12th century, the Egyptian baths were the most beautiful of the East, the most convenient and best laid out. Today, excluded from the government's restoration plans , the hammams of Cairo are decaying.

Pascal Meunier is a documentary photographer based in Paris, whose latest photographic works focus on Arab-Muslim culture. A culture which endlessly talked of and criticized these days, but seldom understood nor appreciated.

For the past eight years, Pascal has reported on cultural traditions from Mauritania to Malaysia, passing through Iran, Libya, Yemen and Egypt on the way. The objective of his photography is to capture the cultural heritage and traditions that are swiftly vanishing. He also shows a Muslim world in change, overtaken by modernity, but increasingly anxious to preserve its values. He photographs with a Leica MP.

I found his images of the Cairene public baths to be brooding, saturated and atmospheric. As I said, a revelation and certainly a potential personal project when I next visit.

Radhika Chalasani: Widow City

Ms Chalasani is a New York-based photojournalist, and covered Vietnam's emergence from isolation, the aftermath of the Rwanda genocide, and the famine in Sudan; coverage for which she received many coveted awards.

Her most recent work on Indian widows in Vrindavan is the principal reason for her appearance on TTP. Her gender may have granted her easier access to the widows, but that takes nothing away from her talented compositions. See for example, her choice of viewpoint in the image of the widow getting a haircut, in the one of the broken sink in a widow's hovel and the final image of a cow sharing a narrow alley with an elderly widow.

Again, her website is Flash-based, so no shortcuts are available. Her gallery on the widows is titled Widow City

PDF Slideshow

Photoshop has a frequently overlooked but very useful – and super simple- feature which generates PDF slideshows of images in a matter of seconds. These PDF slideshows can be emailed (or burnt on CD) to photo editors, clients and friends to view your work. Since Adobe Reader is on virtually all computers, there's no difficulty in viewing the PDF slideshows.

Here’s how simple it is:

1. Open File Browser in Photoshop.
2. Click on File>Automate>PDF Presentation
3. The PDF Presentation Dialog Box>Browse>Select Images
4. When images are selected, select Output Options>Presentations
5. Select Presentations Options: Advance after 3-4 seconds
6. Select Transition type
7. Save
8. The PDF Options dialog box opens: Click OK
9. The PDF Presentation Saved on Desktop
10. Right Click (on Mac) to create Archive of PDF for an email-able zip file.

Flickr In Stock Photography?

A recent post on Dan Heller's (a talented and versatile professional photographer) blog has added his voice to the rumor that sites such as Flickr and Shutterfly may be considering entering the stock photography business. He asserts that the world of photography will surely get involved in user-generated content, and predicts that sooner or later, these sites will recognize the enormous potential of monetizing user-generated content, similar to what YouTube has done.

Here's a couple of Dan Heller's views:

"As I've been arguing since I got into the photography business, Truism #1 states that more people have photography as a hobby than as a profession. Therefore, the basic fundamental principles of economics make it inevitable that photo businesses will have to expand into a hybrid of consumer/pro-photo sharing/licensing models. Not doing so will be career suicide."

"It is inevitable that someone--whether it's Flickr or other photo-sharing sites--will eventually figure this out and engage in some form of business that monetizes user-generated photography."

I have so far not used Flickr despite its many advantges. The reason is that Flickr (or Yahoo, which is its parent company) requires that those who submit photographs etc agree to granting it worldwide royalty-free non-exclusive license to use these photographs...always a stumbling block for self-respecting photographers.

I expect if Heller's predictions are indeed realizable, that separate terms will have to cover the business monetization model of photo sharing. Notwithstanding, his post prompted me to visit Flickr and I must tell you that the quality of some of the photographs are just spectacular, whether travel or photojournalistic. Incredible quality...and I'm now considering joining, and to keep an eye of future developments.

Amanda Jones

Amanda Jones is a prolific writer and photographer living in the San Francisco Bay Area. Her work appears in travel magazines, and her short stories have been published in several travel anthologies. She has also done story development for National Geographic television, and her photography series Timeless, black and white photographs of African tribal peoples, was exhibited at a United Nations film festival.

Her photography is essentially aimed at travel magazines and travel catalogs/stock libraries. She photographs 'nice' portraits, mostly verticals and double-spreads for magazines, and to accompany her travel writings. If you thumb through travel magazines, you'll notice the verticals, the wide space to the left or right of images to accomodate text or titles, etc. It's a style of travel photography that generally doesn't appeal to me, but it does sell and I do it as well.

I've chosen her work in the Ethiopian south, namely in the Omo Valley, for inclusion in TTP. She has also written a short article for the London Sunday Times on her adventures with the tribes of the Omo Valley which is funny and informative. Her introduction to the Mursi tribe echoes my own essay Brief Encounters; The Mursi published in Outdoor Photography last year.

Jobo Giga-Vu

Rob Galbraith's website reports that JOBO just announced that an upcoming firmware revision for the Giga Vu Pro Evolution will add an on-screen loupe to the photo storage device for working photographers. The loupe will provide users of this mobile image storage device with a button in the unit’s zoom menu that makes a rectangular loupe appear on the LCD screen so photographers can closely examine important details of their pictures.

This model has a bright 3.7-inch screen (640 x 480 pixels) and is available in capacities of up to 120GB. It can also play movies and music files and has support for RAW files too. The street prices are about $500 for 40gb to $900 for 120gb.

In contrast, the new Epson p3000 (40gb) has a 4.0-inch screen (640-480 pixels) and is retailed at $490. I wouldn't be surprised if Epson didn't follow through with a firmware of its own.

The jury's out.